For anyone who has spent years living in rental properties, staring at the same standard-issue magnolia walls and yearning for adding some actual personality to their home, Pantone's new Colour of the Year might feel like a disappointing choice.
This time around, the renowned color company has chosen a shade of white as its annual hue.
In detail, the shade is called Cloud Dancer – a white touted as "lofty" and "airy" which "acts as a emblem of calming influence in a society rediscovering the worth of introspection".
It represents the initial instance a pure white has been picked as the Colour of the Year, and it has generated significant controversy.
Per Pantone, Cloud Dancer "represents more than a hue, it's a mindset" and reflects a collective desire to slow down, reset and achieve serenity after years of sensory saturation.
But some commentators have dubbed the decision as "out of touch", arguing that elevating sparse and pristine white spaces can feel distant from the more compact, messier homes the majority inhabit.
Some observers argue that presenting white as an ideal introduces racial undertones, creating unease during continuing societal discussions about inclusion and diversity.
Interior expert One design critic says the backlash transcends aesthetics, stating that white carries deeper meanings and is seldom a innocuous choice.
"White is a signal," he says, influenced by a ten-year period of minimalist celebrity interiors – most famously Kim Kardashian's austere home – that came to represent "affluence, order and distance from chaos".
He elaborates that white is "not about inspiration but taking care not to cause upset", with Cloud Dancer embodying "austerity, virtuous simplicity and the idea that impartiality signifies goodness".
Beaumont points to the global health crisis as a turning point in how people perceive their homes.
"Almost instantly they transformed into our workspaces, sanctuaries and emotional anchors," he says, stating that against this backdrop, pushing the Colour of the Year towards "further aesthetic barrenness feels rather tone-deaf".
Instead of providing calm, he argues white now risks intensifying "a sense of emptiness", especially when paired with harsh, sterile lighting.
Lara Clark, a UK-based design expert, concurs and says Cloud Dancer "doesn't really read as a colour" and is "firmly in the bin for me".
Although it may suit extremely sparse or structural spaces, she says pure white shades rarely foster calm in real homes.
"What looks serene in a professional photo can easily seem sterile at home," she explains.
"White can feel harsh and unforgiving and you wouldn't wish your home to emit clinical feelings."
She adds that "living spaces should elicit happiness and feel inviting and lived-in, and this hue seems quite distant from that."
The critic expresses a desire that homeowners will reject the Pantone Colour of the Year in preference for "unabashed dopamine décor", using colour to express individuality.
The vice president of the Pantone Colour Institute stated that people "bring different feelings" to the meaning of the colour, but it was selected as it "integrates perfectly with everything around it, providing a refined neutrality that seems intentional and adaptable".
Beginning in 2000, Pantone's Colour of the Year has become a powerful industry signal.
Past choices have featured the optimism of a vibrant pink-orange, the calm confidence of Classic Blue, the energy of a bold pink-red, and more recently softer, feeling-based tones like a soft peach.
These colours extend beyond style predictions - they appear in clothing lines, cosmetic products, interiors, packaging and even technology, influencing how products are sold and how consumers envision the coming year.
Victoria Robinson, says Cloud Dancer is a "elegant choice" and while it may appear basic, "this particular shade seems gentle and refined rather than stark".
In contrast to those who say the colour is boring, Robinson sees it as "flexible" and says it's best used in "sleeping quarters and communal spaces where you want a serene, restful ambiance".
"Should you don't want to repaint, you can introduce the colour into a room with cushions, blankets and drapes."
Interior designer Another professional says although he was taken aback that Pantone's pick this year was "fundamentally the absence of colour", it is a bit like vanilla ice cream, in that "it is universally accepted but it's not a top choice".
He can see its merits, explaining that white can work especially effectively as a backdrop for design features like panelling and arched doorways which is a "growing trend in contemporary houses".
In apparel, white has long been a staple rather than a bold declaration and as a Colour of the Year it presents a unique test to designers more familiar with vibrant colors.
Fashion consultant A styling expert says championing white seems "not focused on newness and more about intention", indicating a shift towards refinement after years of fad saturation.
"The color white compels designers and wearers alike to concentrate on shape, scale and craftsmanship, there's really nowhere to hide," she clarifies.
But she continues that it also holds assumptions around self-image, lifestyle and advantage, saying: "If white is viewed as something only a limited subset of people can wear well, it becomes divisive."
She says the fashion world is already cognizant of the uncomfortable undertones associated with celebrating white as an aspirational standard, especially amid continuing conversations about inclusion and approachability, and the true challenge will be whether "brands engage with that complexity authentically, or simply aestheticise the colour".
Style consultant Another expert concedes the choice at first shocked her, considering Pantone's history of vibrant hues, but says it mirrors a authentic change and aligns with a wider mood of "quiet luxury
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